Well, Smoke n' Mirrors has very much a world music flavor and it doesn't park itself in one country. It borrows heavily from the Brazilian angle, which is dear to my heart, and I recorded several albums with that flavor.

If you play the very subtle jazz tunes with acoustic pianos, acoustic bass and it’s a dead standard, you are going to play very differently. It depends on the music.

Zamajobe is great. She’s a terrific singer from South Africa.

Ive done a lot of albums and I kinda know when Im onto something that was inspirational for me to record and create, and this was one of those projects where I really enjoyed making the album.

Well, Smoke n' Mirrors has very much a world music flavor and it doesn't park itself in one country. It borrows heavily from the Brazilian angle, which is dear to my heart, and I recorded several albums with that flavor. Probably even more so than the Brazilian flavor, there's an African, South African and West African influence and on a couple of other tracks there's some Latin flavor and there's some Indian tables on one track, all centered around my jazz guitar and acoustic guitars, and very much a Lee Ritenour sound.

If you play the very subtle jazz tunes with acoustic pianos, acoustic bass and it's a dead standard, you are going to play very differently. It depends on the music.

Zamajobe is great. She's a terrific singer from South Africa.

In 2010, I had been playing guitar for 50 years.

I had redesigned my entire amplifier system for this tour because airlines are very strict now.

I always recommend to any player to always compose their own music. It's one of the best things you can do to find a road to your own style.